The Erasmus Miller Owen Family, part 6
Last week we began looking at Erasmus Miller Owen's whereabouts during the 1860s. Today we are going to take a closer look at . . . . photographs!
A few weeks ago, the task I was given for the photo archive project was to begin writing the captions for the photos. My sister and I decided that it would be a fantastic idea if each caption had the name of the person(s) along with the place and year in which the photo was taken. Not an easy task, let me tell you. If the photo was of just one individual, the name was almost always written on the back, so that part was no trouble. (Unless, of course, we couldn't determine whether the name belonged to the person in the photo, or the person to whom the photo had been sent!) If there were children involved, it sometimes became easier, but sometimes a bit more difficult. And, if there were multiple people - not in an obvious family grouping - but only one was named, that was usually nearly impossible.
The real problem, however was identifying the date and place. Some of the photos had the name and place of the photographer on them, so that was easy. Most did not. And wouldn't you know, sometimes I needed to know the place in order to set the date, and sometimes I needed the date in order to set the place. Sometimes I could tell that it was most likely a wedding photo, so a date and location were easy, but sometimes I was left asking myself, how old does that kid look? Then, of course there is the problem that sometimes children died, so trying to guess relative ages became an issue as well.
For the photos of individuals or couples that didn't include children or mark an obvious event, I just had to try to come up with as close to an accurate date as I could. So, I diligently did my research. It turns out that there are so many things to consider:
Is it a cabinet card or cart de visit? What is the size of the card? What color is the cardstock? Is the back a different color than the front? Does it have square or rounded corners? A thin gold border? Scalloped edges? An oval cutout?
Does it have a photographer's stamp? If so, what is the style? Do we know where it was taken? Do we know what years that photographer had a studio in a specific place?
What does the background look like? Does it have a painted scene, or is it plain? Does the backdrop contain an outdoor scene, or does it look like a fancy room with plants? What type of furniture is present?
Is it a full-body shot, or a close-up?
What is the person wearing? When was that the fashion? How wide are the lapels? What type of notch do they have? Is the jacket buttoned? Does the waistcoat match the jacket? Do the pants match the jacket? Do they have stripes? Are they narrow or wide? (This applies to lapels and pant legs!) Does the woman have a bustle, off the shoulder sleeves, mutton sleeves, or a pie collar? Is she wearing white or a darker color?
What kind of hair style do they have? For a man, is it short or long, flat or curly? Is he clean shaven, bearded, or just mustachioed? Does the woman have a Gibson Girl hairdo or a top knot, or is it strangely short with curly bangs?
Here is an example of a photo that was relatively easy:
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| The Sons of Erasmus Miller Owen |
This shows Sam and Edgar in the front row, and Mark, Ras, Dick and Conrad in the back.
There is a copy of this same photo floating around all over Ancestry, but it has been cropped down so that you can see neither the card it is pasted to nor the backdrop of the photography studio.
Please don't crop the photos of your ancestors, unless you save an uncropped scan as well!
The parts that my family kept intact are just as important for dating the photo as are the people themselves:
- This is what is called a cabinet card; it is on very heavy cardstock so that it could be propped up and displayed in a cabinet. Cabinet cards began being produced in the later 1860s, and by the 1880s often had beveled edges - just like this one. This card is also a dark brown/maroon color, which was very popular during the mid 1880s to early 1900s.
- The back is a different color - beige/tan/old-acid-paper color. The corners of the card are rounded. This tells us that the photo was most likely taken between the years of 1880-1890, although it could have been slightly later if the photographer was trying to use up his old (newly unfashionable) stock.
- Edgar and his youngest brothers have only the top button of their jackets done up. That was all the rage during the 1880s and into the early 1890s.
- Edgar and the second-youngest boy both have large knots on their ties. That was late 1880s - early 1890s fashion as well.
- Edgar and the two younger boys have small, narrow lapels on their suits, which was an 1880s thing, and Edgar has striped trousers in a lighter color than his waistcoat and jacket - also an 1880s thing.
- None of the jacket sleeves show their shirt cuffs, so we wouldn't place this squarely in the 1890s unless they were all wearing outdated suits.
- Everyone in the photo has short hair, and all of the men have mustaches, which was typical for the 1880s and 1890s.
- Sam's suit is more typical of 1890s fashion - light colored, all three pieces matching, longer lapels. However, he is also wearing more of a style that today we call Western-wear, so I don't know if that means anything here or not!
- The backdrop shows an indoor scene, which is typical of the 1880s or 1890s, but there are no potted plants or rattan furniture, so it is probably prior to the mid 1890s. There is a shaggy rug on the floor; these first began to be used during the 1880s.
Everything about this photo says late 1880s to early 1890s. Luckily, we know exactly who is in this photo, and we also know when each was born, so we can narrow this down that way.
- Mark is wearing a full suit with tie. That means he was no longer considered a little boy, which means he is most likely at least fourteen years old in the photo. He doesn't look like he could be older than sixteen, though.
- Conrad is not wearing a tie, but he is also not wearing short pants. That tells us that he was in the transitional ages between boy and young man - probably twelve or thirteen. He is not too much shorter than Mark, indicating that he might be in the midst of his growth spurt, but he would eventually grow to be much taller than Mark as an adult, so he could have just been a tall child and still be on the younger side.
- Mark was born in 1875 and Conrad was born in 1877. In 1889, Mark would have been fourteen, and Conrad would have been twelve.
I feel confident that this photo was taken in either 1889 or 1890, so I am going to date this as c. 1889/1890. My best guess is that it was taken in Brownwood, in Brown County, Texas. Although Erasmus Miller Owen was not living in the town itself, that would probably have been the closest photography studio. As far as I know, the four younger sons were all still living at home. Sam was most likely in San Saba County that year, but that is close enough that he could have come for a visit.
And now lets look at the photos of Erasmus Miller Owen himself:
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| Erasmus Miller Owen |
I thought this one was going to be easy. A quick glance at the card tells us that is has to be from 1900 or later:
- The card mount is irregular! Cabinet cards made prior to c. 1900 are standard sizes. Not until the turn of the century did they begin to be tall and narrow.
- The oval cutout is also typical of later photos.
- The photo itself has "silver mirroring," that metallic sheen on the dark portions that develops over time with the print process most commonly used post-1900.
- The suit has the higher lapels typical of the 1890s and later.
- E. M. Owen looks old!
Now, I also knew that the photo had to have been taken prior to 1920:
- In the 1920s, photos were placed between two layers of card, with the top layer having a cut-out for viewing the photo.
- Erasmus Miller Owen died in 1917.
The question was, when between 1900 and 1917 was this taken? Now you might be saying, does it really matter? To which I reply, Yes. Yes it does. We have already created too many photo pages with captions that include the date and place to turn back now!
Now, I knew even from my preliminary research that the Reverend (doesn't he look the part in this photo?) moved around quite a bit. In fact, he was in two entirely different states during the time period in question! What was I to do?
Well, one of the best indicators to narrow down photos from the Edwardian time period would be to look at the shirt collar. Unfortunately, as was typical of old men of the time, his beard was obscuring that detail. I couldn't find a single example online of this type of very tall card with (or without) the embossed crown and lion motifs. I even emailed a nice gentleman who appears from his website to be an ASU professor but is also apparently quite the expert on antique photography, and he told me that between 1900 and 1910 there were many unusual card mounting styles, and that it probably fell into that time period. So, I had decided to settle with that time frame, and then put a "Texas or Oregon" (we'll get to that!) for the place.
However, I just found a University of Illinois guide for archiving and exhibiting old photographs while writing this post, and it completely contradicts itself concerning this type of print. It says in one place that silver-gelatin photos were introduced in 1874, but in another place it says the silver-gelatin paper "emerged" at about 1910. (A different website said that there was a two-layer paper, and later a three-layer paper, so maybe that is what was introduced in 1910?) Personally, I have only seen this silver oxidation sheen on the later photos in my grandmother's collection - primarily those taken in the 1920s. But it turns out that the oxidation occurs from poor storage conditions, so I guess it doesn't really tell us anything specific about when within the time period in question the photo was taken.
Maybe this photo was cutting edge at the time it was taken, and we should date it as being from the early 1900s. But maybe it was using that new kind of paper and that is why it oxidized the same way as the photos taken later and we should push it to the end of the date range indicated by the card style and say c. 1910 instead. Of course, that would place Erasmus firmly back in Texas. (Sigh.) Anyone want to throw in their two cents?
The next two photos I looked at were actually harder for the date, but waaaaaaaay easier for the place:
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| Erasmus Miller Owen |
This photograph has a lot of conflicting features:
- Mismatched pants (striped, gray) and waistcoat and coat (black?) = 1880s
- Creased trousers = 1890s
- Wide lapels = early 1870s or mid to late 1890s
- Unbuttoned suit coat = 1870s or mid to late 1890s
- Square-toed boots = early 1880s
- Dark green cabinet card with beige back = mid 1880s to early 1900s
- Backdrop with palm tree, rattan chair = no earlier than the 1890s
- Photographer - Schneider (Brownwood, Texas); newspaper article indicates he was in Brownwood in 1900 (couldn't find info for how long before that)
- Old man facial hair = any time period at all!
- Full length portrait, sitting = more typical of earlier than 1890s or after 1900 (but could have been because he was old)
- Erasmus Miller Owen was living in Brown County in approximately 1882 - 1906 (with excursions to other counties within this time frame) and again between late 1909 and 1917 (also with some excursions within this time frame).So, we know it was taken in Brownwood, because it says so right there on the card mount. But when do we date this? I would have to say not the 1880s, because the palm trees and rattan furniture were not popular during that time. Right now I am leaning toward the late 1890s, or maybe even c. 1900. It actually has a super shiny finish and is really, really brittle, which sounds like either a collodion or gelatin "pop" print. Unfortunately, according to the guide I mentioned above, those were made between 1885 and 1930, so that is not helpful at all! On the other hand, it also has some characteristics of a glossy albumin print, so that would place it in a date range up to only 1895. (Clearly, I am not an expert on antique photographs!)
And now the next one:
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| Erasmus Miller Owen |
This is a photo I have not seen online, but it is the one that my grandmother chose to include in her family history book. There is not quite as much going on in this one:
Based on these features, I'm guessing that this photo was taken sometime during the early 1890s, and once again, we know it was taken in Brownwood, Texas from the stamp on the card mount.- Suit style = waistcoat early 1880s, open coat to show watch chain 1880s
- Photographer stamp = 1890s (J. B. Chambers was born in 1870, but census shows him in Abilene in 1900. No records are available showing him in Brown County, but the 1890 census and most newspapers from Brown County have been lost.)
- Background = 1890s
- E. M. Owen looks to be about 60-75 yrs old
- He was living in Brown County in approximately 1882 - 1906 (with excursions to other counties within this time frame) and again between late 1909 and 1917 (also with some excursions within this time frame).
Can you see how difficult and time consuming this photo archiving project has become?
Those wrinkles are a bit clearer now, aren't they? (But where are his eyebrows?!) Now look at this comparison of the three different photos:
Interesting. The photo in the center was a worse original copy than the other two. It was a bit washed out and not as crisp and clear. But look at the hair line . . . . and the frown lines between his eyes . . . . and the skin tone . . . . and the beard. I think that the photo on the left is the earliest photo. Even though his hair seems to be white already, it is less receded and the beard is much more wavy. (I don't know about the rest of you, but my "gray" hairs are much frizzier than my normal sometimes-somewhat-frizzy hair. I think when I am white-headed my whole head will look like a ball of wool just like Erasmus' beard in the right-hand photo.) As for the frown lines, they seem to be almost not even there in the photo on the left, but very pronounced in the photo on the right. And then there is the skin-tone; I couldn't blow these up bigger and put them in a row, but when they are zoomed in, the one on the left doesn't appear to have any skin damage. The one in the middle looks kind of mottled (which could just be due to the poor print quality). The one on the right, however, looks like his face is covered in freckles or age spots - almost like those photos they hang on the wall in the dermatologists office that show the skin damage we can't see with the naked eye.
So, I am really confident that the photo on the left was taken first, and probably in the early 1890s. Maybe even in 1890/91:
For those of you who weren't aware, Erasmus Miller Owen served on the first board of directors of Howard Payne College (founded in 1889). Perhaps that photo was actually his official trustee photo taken for the college!
I'm guessing at the moment (I keep changing my mind about these dates!) that the center photo was probably taken between 1895-1905, and the one on the right sometime around 1910. The only problem is that I think Erasmus looks older in the center photo. There is something about it that just says old and feeble to me, maybe because he looks so thin and frail? I don't know. I think maybe the way he looks might be misleading and we should rely more on the clues from the photo backdrops, processing, and mounts. If anyone wants to weigh in on this question, I'd love to hear from you!
Aside from the whole zooming-in-to-figure-out-ages thing, I discovered that zooming in on a high resolution photo can really reveal some other astonishing details:
I didn't notice until I zoomed in that Erasmus had two pins in his lapels in the Chambers photo. The first is on his waistcoat, and it looks like some sort of shiny metal. The second is on the other side of his coat lapel, and we can just see a section of the pin.
And did you all know, that the lovely watch chain that is visible in the photo tells us that Erasmus was right-handed? The chains were always worn on the opposite side from the dominant hand, which makes perfect sense but I never even thought to think about such a thing until I was looking for hidden details in the photos.
Ooh, and look at the texture of his suit fabric!
If you look back up to the whole photo, you'll see that this is the one where Erasmus' suit looks a bit too big for him. This says to me that he had lost some weight since he bought the suit, meaning that it was probably not new. Combined with the fact that the waistcoat had been repaired instead of replaced, I wonder if he needed a new suit and couldn't afford one?
As we will later see, Erasmus sold a sizeable piece of land in late 1898. At that point he most likely would have had enough money to purchase a suit that was neither torn nor too big, as well as to replace or repair his missing watch/chain, so I think this might provide us with a dating clue, and I am going to say that the photo was probably taken in the later mid-1890s. Or maybe, c. 1897. (Unless, of course, someone shares some compelling reason to give it a different date!)
Oh! And guess what just occurred to me? Let's look at this photo comparison again:
You'll notice how the one on the left looks like a pretty good black and white image. (The lighter portions of the backdrop have maybe a tiny hint of yellow-ish gray, but not too much.) That one has not had any color correcting done to it - so it appears to have withstood the past 130 some-odd years very well!
The center image looks pink, or pinkish-purple, and we might be tempted to say, what in the world happened to that photo?! and do a nice color correction to get it "back to" black and white. Unfortunately, that would probably be an error on our part, because those old-timey photographers actually added different tints to their photos back then, meaning that this may have been the actual original color of the photograph!
The image on the right has some definite yellowing. This could be from poor storage conditions - fluctuations in heat and humidity or exposure to pollution - but it could also be that the photographer toned it that way on purpose. So, once again, scanning every photo with no corrections or cropping is a must for conscientious archivists!
And here is one more tip I learned from the article on archiving old photos: zooming in until you can see the paper fibers can tell you what kind of print it is and thus help with the dating. (Theoretically, anyway. It didn't really help me all that much!)
Okay. This has been fun and all, but it's actually taken a whole week already to get this much written and the inability to stick firm dates on these photos is putting a bit of a damper on my enthusiasm right now. So, I'm going to say goodbye and get on to writing the next post!
- Therese
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